Afternoon Light

I love the hues the sun creates on the landscape during late afternoon hours.

Longer shadows mean more excitement in a painting, as cool shadow colors contrast with those where the heat is still lingering in the the sun drenched landscape.

This scene is in the mountainous region of Mascota, not far form Puerto Vallarta, in western, central Mexico. There are volcanos everywhere.

My painting buddy and I had been searching for a good spot to capture the warm afternoon glow on the mountains, driving up and down a little dirt road, when we happened upon this place. Almost as soon as we had set up, cattle come around the corner, right at us, and they probably wondered what we were doing there. They left soon, of course, but not before we got a few snapshots for future studio paintings.

Thanksgiving

And again, it´s time to think about turkeys and pumpkins!

A year ago, during a non-painting-trip to Austria, I saw a field full of pumpkins, ready to be harvested. It looked very pretty and I took some photographs. A week later, quite a few pumpkins remained in the field when early snow surprised the place. Now the view was even more stunning. The sun had melted the snow away on the south side to reveal bright orange dots, randomly strewn over the field.

With winter approaching, it felt like the right time to paint the scene now!

The Right Brain and Plein Air Painting

As studies have shown, when we give our right brain hemisphere a chance of being active, life is more enjoyable, we become more open minded, creative, at peace, and we experience ouselves as being less judgemental, less critical and less frustrated.

There is no doubt in my mind that plein air painting is a good way of activating one´s right brain. Being exposed to all the sensory stimulations, the beauty of the view, the atmospheric properties of each scene, like sun, wind, rain or fog, sometimes a fragrance, the soft noises of nature, all that gives the artist the opportunity to become part of the landscape, to really understand it´s essence.

In such a state of mind, painting what you see becomes spontaneous and exhilarating and, unlike with studio painting, the memories of each individual experience are going to stay with you.

Atmosphere

At the end of the rainy season in central Mexico, wildflowers appear just about everywhere. This landscape is in Jalisco, near a quaint little town, called Tapalpa.

Moisture still hangs in the air after one of the last downpours in October, but the sun is coming through to illuminate patches of flowers and the vibrant green of the high grasses.

I have painted years ago in almost the same spot, but every season the flowers form other color patterns and, depending on the atmospheric condition, everything looks different every day.

Quick Oil Sketches

A San Diego art group invited me
to participate in a session
of figure painting. I accepted, of course, as the human figure has always been one of my favorite topics.

The model posed with her dog and we had about an hour and a half to paint. The experience was a bit of a challenge, since the pooch sat down differently after every break, but I have often considered challenges to be an artist's best friend.
Try limiting your time, reduce the assortment of colors on your palette to the bare minimum, choose an unfamiliar size of canvas, or a model in movement and you will see that, in response to these "obstacles", your attention will be more focused and your concentration heightened.

As far as time constraints are concerned, I feel that a quick, sketchy color note can say more than a perfectly rendered painting.

Beach Paintings

I love to watch - and of course to paint the waves rolling in at the beach. There is something reassuringly artistic about the fact that such a repetitive action can happen without it's outcome ever looking quite the same.

Not long ago I walked on a beach of the Pacific Ocean, at the Nayarit village of San Pancho in Mexico. A woman of the Huichol tribe, dressed in her brightly colored traditional outfit, was sitting on a pile of sand, looking at the sea. Maybe she was pondering the same thing while her daughter played with a dog nearby.

Color Harmony

After a long period of time of painting mostly landscapes, I felt itchy to do some figure again.
This nude was painted from a photo I had kept in my "2 paint folder" since a while. It's composition had attracted me from the very beginning and I am planning to do at least four of that theme and shape, 1 meter square, in the near future.
Olga started out with much stronger colors and a much more pure blue background, however, as the painting progressed, I decided to keep the color harmony much closer, in a middle key of chroma and mainly in cool tones with just enough warm reflected light to explain volume and to keep it interesting.
Given the relatively large area of background, I worked with very wide brushes from the hardware store, which gave the surface an unexpectedly beautiful texture.