Water

I love to go plein air painting in Mexico in the rainy season.
Often, the mornings are sunny and very bright, the rains come in the afternoon or evening.
The water refreshes the colors of the land, the sky, the trees. It fills the lakes, charges the air with negative ions and adorns the sky with beautiful clouds.

Morning Light

Early next morning we painted the same mountains from a different vantage point.

The sun was strong already, however, even though the field in the foreground is yellow, a warm tone, all colors, especially the sky and the mountains in the distance looked much cooler than the day before.

Sun gets filtered by the atmoshere it travels through, and early morning moisture in the air accounts for the fact that some of the rays get reflected before they can reach our eyes.

Afternoon Light

I love the hues the sun creates on the landscape during late afternoon hours.

Longer shadows mean more excitement in a painting, as cool shadow colors contrast with those where the heat is still lingering in the the sun drenched landscape.

This scene is in the mountainous region of Mascota, not far form Puerto Vallarta, in western, central Mexico. There are volcanos everywhere.

My painting buddy and I had been searching for a good spot to capture the warm afternoon glow on the mountains, driving up and down a little dirt road, when we happened upon this place. Almost as soon as we had set up, cattle come around the corner, right at us, and they probably wondered what we were doing there. They left soon, of course, but not before we got a few snapshots for future studio paintings.

Thanksgiving

And again, it´s time to think about turkeys and pumpkins!

A year ago, during a non-painting-trip to Austria, I saw a field full of pumpkins, ready to be harvested. It looked very pretty and I took some photographs. A week later, quite a few pumpkins remained in the field when early snow surprised the place. Now the view was even more stunning. The sun had melted the snow away on the south side to reveal bright orange dots, randomly strewn over the field.

With winter approaching, it felt like the right time to paint the scene now!

The Right Brain and Plein Air Painting

As studies have shown, when we give our right brain hemisphere a chance of being active, life is more enjoyable, we become more open minded, creative, at peace, and we experience ouselves as being less judgemental, less critical and less frustrated.

There is no doubt in my mind that plein air painting is a good way of activating one´s right brain. Being exposed to all the sensory stimulations, the beauty of the view, the atmospheric properties of each scene, like sun, wind, rain or fog, sometimes a fragrance, the soft noises of nature, all that gives the artist the opportunity to become part of the landscape, to really understand it´s essence.

In such a state of mind, painting what you see becomes spontaneous and exhilarating and, unlike with studio painting, the memories of each individual experience are going to stay with you.

Atmosphere

At the end of the rainy season in central Mexico, wildflowers appear just about everywhere. This landscape is in Jalisco, near a quaint little town, called Tapalpa.

Moisture still hangs in the air after one of the last downpours in October, but the sun is coming through to illuminate patches of flowers and the vibrant green of the high grasses.

I have painted years ago in almost the same spot, but every season the flowers form other color patterns and, depending on the atmospheric condition, everything looks different every day.

Quick Oil Sketches

A San Diego art group invited me
to participate in a session
of figure painting. I accepted, of course, as the human figure has always been one of my favorite topics.

The model posed with her dog and we had about an hour and a half to paint. The experience was a bit of a challenge, since the pooch sat down differently after every break, but I have often considered challenges to be an artist's best friend.
Try limiting your time, reduce the assortment of colors on your palette to the bare minimum, choose an unfamiliar size of canvas, or a model in movement and you will see that, in response to these "obstacles", your attention will be more focused and your concentration heightened.

As far as time constraints are concerned, I feel that a quick, sketchy color note can say more than a perfectly rendered painting.